There are of course lots of wonderful examples of 16th- to 19th-century drawings of animals, bird, flowers, nude women, and people of color out there. If the subjects appeal to you, start looking for drawings by artists you admire and copying them as you would paintings by artists you admire. Who those artists are is really up to you.
1cover5_Study_for_the_opinion_of_the_model6_Contents7_Contents28_Preface_and_acknowledgements9_Preface_and_acknowledgements210_the_history_of_drawing_course_introduction11_the_history_of_drawing_course_introduction212_public_controversy_over_teaching_materials13_Goupil_proporses_a_solution14_Goupil_proposes_a_solution215_Goupil_proposes_a_solution316_The_organazation_of_the_drawing_course17_The_organazation_of_the_drawing_course218_PART_I_Drawing_after_casts419_PART_I_Drawing_after_casts220_PART_I_Drawing_after_casts321_PART_I_Drawing_after_casts422_Practical_matters_usint_the_plates_as_models_to_copy_The_schemata_or_plans23_Practical_matters_usint_the_plates_as_models_to_copy_Materials_and_Drawing_terms24_Practical_matters_usint_the_plates_as_models_to_copy_Suggestions_for_copying_the_plates25_Practical_matters_usint_the_plates_as_models_to_copy_The_schemata_or_plans26_Practical_matters_usint_the_plates_as_models_to_copy_procedure_for_modelling27_Practical_matters_usint_the_plates_as_models_to_copy_Finishing_the_drawing28_plate_I_1_eyes29_plate_I_2_mouths31_plate_I_3_noses31_plate_I_4_ears32_plate_I_5_profile_of_the_foot33_plate_I_6_heels34_plate_I_7_the_foot_of_the_gladiator35_plate_I_8_the_foot_of_the_medici_venus36_plate_I_9_the_sole_of_the_foot37_plate_I_10_foot_of_germanicus38_plate_I_11_hands_in_profile39_plate_I_12_closed_hand_and_leaning_hand40_plate_I_13_hand_of_voltaire41_plate_I_13_hand_holding_a_whetstone42_plate_I_15_hand_of_woman_pressing_her_breast43_plate_I_16_hand_of_woman_holding_a_stone44_plate_I_18_arm_of_man_vertical_position45_plate_I_18_arm_of_a_man_vertical_position46_plate_I_19_flexed_forearm_of_a_man47_plate_I_20_childs_arm_interior_view48_plate_I_21_Clids_arm_exterior_view49_plate_I_22_womans_arm_bent50_plate_I_23_mans_arm_bent51_plate_I_24_arm_of_moses_by_michelangelo52_plate_I_25_leg_of_germanicus_in_profile53_plate_I_26_childs_leg_rear_view54_plate_I_27_leg_of_germanicus_front_view55_plate_I_28_leg_of_the_crouching_venus56_plate_I_29_lef_of_the_venus_de_medici57_plate_I_30_legs_of_the_dying_slave58_plate_I_31_nero_as_a_child59_plate_I_32_cardinal_jimenez60_plate_I_33_young_girl_life_cast61_plate_I_34_dante62_plate_I_35_the_cardinal_de_birague_by_germain_pilon63_plate_I_36_marcus_brutus64_plate_I_37_head_of_horse_partheon65_plate_I_38_caracalla66_plate_I_39_anne_of_brittany_by_giovanni_giusti67_plate_I_40_julia_mammaea68_plate_I_41_the_capitoline_ariadne69_plate_I_42_children_by_francois_flaman70_plate_I_43_faustina71_plate_I_psyche_of_naples72_plate_I_45_the_capitoline_ariadne73_plate_I_46_young_boy74_plate_I_47_head_of_horse75_plate_I_48_phocion76_plate_I_49_agrippa77_plate_I_50_marcus_brutus78_plate_I_51_jupiter_trophonius79_plate_I_52_Lucius_junius_brutus80_plate_I_53_young_woman_life_cast81_plate_I_54_homer82_plate_I_55_the_beledevere_torso_rear_view83_plate_I_56_male_torso_back_view84_plate_57_female_torso_three_quater_view85_plate_I_58_milo_of_crotone_by_pierre_puget86_plate_I_59_the_vatican_amazon_draped87_plate_I_60_male_torso_three_quater_view88_plate_I_61_Theseus89_plate_I_62_Ilissos90_plate_I_the_beledevere_torso_rear_view92_plate_I_65_knight93_plate_I_66_two_knights94_plate_i_67_cinccinatus95_plate_I_68_achilles96_plate_I_69_germanicus97_plate_I_70_saint_martha134_Plate_II_1-4135_Plate_II_5-8136_Plate_II_7_leon_bonnat_young_roman_study137_Plate_II_10_Hans_Holbein_the_daughter_of_jacques_meyer138_Plate_II_9-12139_Plate_II_13-16140_Plate_II_12_Filippino_Lippi_portrait141_Plate_II_13_Charles_Gleyre_omphale_study142_Plate_II_14_Jean-Leon_Gerome_head_of_a_fellah_profile143_Plate_II_15_Hippolyte_Flandrin_study_of_a_woman144_Plate_II_17-20145_Plate_II_21-24146_Plate_II_17_Jean-JacquesHenner_laughing_boy147_Plate_II_18_Paul_Dubois_roman_woman148_Plate_II_22_Auguste_Toulmouche_younf_woman_kissing_her_child149_Plate_II_23_Adolphe_William_Bouguereau_a_roman_woman_study150_Plate_II_25-28151_Plate_II_29-32152_Plate_II_25_Hippolyte_Flandrin_study_of_a_woman153_Plate_II_31_Andrea_Del_Sarto_self-portrait154_Plate_II_33-36155_Plate_II_37-40156_Plate_II_34_Jules_Lefebbre_head_of_a_child157_Plate_II_35_Emile_Levy_head_of_a_young_italian_girl158_Plate_II_41-44159_Plate_II_45-48160_Plate_II_49-52161_Plate_II_53-56162_Plate_II_52_Thomas_couture_portrait_of_a_young_boy163_Plate_II_54_Timoleon_Lobrichon_study_of_a_baby164_Plate_II_57-60165_Plate_II_61-64166_Plate_II_67_Hans_Holbein_The_Yonger_portrait_of_a_man167_Plate_II_65-67168_Notes_on_the_plates_1-7169_Hans_Holbein_the_Younger_the_daughter_of_jakob_meyer170_Notes_on_the_plates_8-13171_Notes_on_the_plates_14-18172_Notes_on_the_plates_19-25173_Notes_on_the_plates_26-32174_Notes_on_the_plates_33-37175_Notes_on_the_plates_38-44176_Notes_on_the_Plates_45-52177_Notes_on_the_plates_53-59178_Notes_on_the_plates_60-67179_Hans_Holbein_the_Younger_Portrait_of_a_man_jakob_meyer180_PART_III_PREPARATION_FOR_DRAWING_ACADEMIES181_Ancient_sculpture_as_the_model_of_true_beaty182_Ancient_sculpture_as_the_model_of_true_beaty2183_Practical_matters_copying_the_drawings184_Some_notes_on_Bargues_style185_A_Repeirtoire_of_traditional_poses186_Plate_III_1187_Plate_III_2188_Plate_III_3189_Plate_III_4190_Plate_III_5191_Plate_III_6192_Plate_III_7193_Plate_III_8194_Plate_III_9195_Plate_III_10197_Plate_III_12198_Plate_III_13199_Plate_III_14200_Plate_III_15201_Plate_III_16202_Plate_III_17204_Plate_III_19205_Plate_III_20206_Plate_III_21207_Plate_III_22208_Plate_III_23209_Plate_III_24210_Plate_III_25211_Plate_III_26212_Plate_III_27213_Plate_III_28214_Plate_III_29215_Plate_III_30216_Plate_III_31217_Plate_III_32218_Plate_III_33219_Plate_III_34220_Plate_III_35221_Plate_III_36222_Plate_III_37223_Plate_III_38224_Plate_III_39225_Plate_III_40226_Plate_III_41227_Plate_III_42228_Plate_III_43229_Plate_III_44230_Plate_III_45231_Plate_III_46232_Plate_III_47233_Plate_III_48234_Plate_III_49235_Plate_III_50237_Plate_III_52238_Plate_III_53-56239_Plate_III_57-60240_Notes_on_the_plates_1-4241_Notes_on_the_plates_5-9242_Notes_on_the_plates_10-14243_Notes_on_the_plates_15-19244_Notes_on_the_plates_20-24245_Notes_on_the_plates_25-28246_Notes_on_the_plates_29-33247_Notes_on_the_plates_34-38248_Notes_on_the_plates_39-43249_Notes_on_the_plates_44-48318_APPENDIX_2_The_sight-size_technique319_The_sight-size_technique_nescessary_conditions_for_sight-size320_Excursus_shadow_boxes321_Drawing_after_a_cast_positioning_the_drawing322_Drawing_after_a_cast_measuring_apparent_distanses323_The_sight-size_technique_Pros_and_cons324_The_sight-size_technique_Pros_and_cons325_The_sight-size_technique_Pros_and_cons
Charles Bargue Drawing Course Pdf Download
This book is a reproduction of the entire Bargue drawing course, together with some extra information about Bargue himself and a few other tidbits, including excellent coverage of the technique of sight size drawing. According to the introduction of this publication, there were a few competitors on the market at the time, but the Bargue course had something extra going for it. It managed to straddle the two main camps in academic art at the time, one of idealisation of nature along the lines of Raphael, what you might call classicism, the other a part of the growing realist movement which held that art should be honest, including being truthfully ugly if the subject was ugly.
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_OC_InitNavbar("child_node":["title":"My library","url":" =114584440181414684107\u0026source=gbs_lp_bookshelf_list","id":"my_library","collapsed":true,"title":"My History","url":"","id":"my_history","collapsed":true,"title":"Books on Google Play","url":" ","id":"ebookstore","collapsed":true],"highlighted_node_id":"");Cours de dessinCharles Bargue, Jean-Léon GérômeGioffredi, Mar 19, 2019 - Art - 176 pages 1 ReviewReviews aren't verified, but Google checks for and removes fake content when it's identifiedThe Charles Bargue and Jean-Léon Gérôme drawing course was originally published by Goupil & Cie between 1866-1871 and consisted of 187 individual lithographs meant for copying by students at atelier art schools. Many famous artists copied from these plates as part of their art studies including Picasso, Van Gogh, and John Singer Sargent. This books includes 130 illustrations from parts I and III of the drawing course. if (window['_OC_autoDir']) _OC_autoDir('search_form_input');Preview this book What people are saying - Write a reviewReviews aren't verified, but Google checks for and removes fake content when it's identifiedUser Review - Flag as inappropriateExcellent Quality and a most pdf download for those who want to practice drawing this plates. I am very glad that the pages that were stained from other book versions found online are corrected here and are crispy clean. Once again, excellent work and thank you so very much for conserving this book. 2ff7e9595c
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